{"id":6772,"date":"2018-12-14T17:00:45","date_gmt":"2018-12-14T22:00:45","guid":{"rendered":"https:\/\/facartes.uniandes.edu.co\/cic\/sin-categorizar\/armando-fuentes\/"},"modified":"2018-12-14T17:06:21","modified_gmt":"2018-12-14T22:06:21","slug":"armando-fuentes","status":"publish","type":"post","link":"https:\/\/facartes.uniandes.edu.co\/cic\/noticia\/armando-fuentes\/","title":{"rendered":"Investigaci\u00f3n y creaci\u00f3n en 2 minutos: Armando Fuentes"},"content":{"rendered":"

[vc_row][vc_column][vc_video link=\u00bbhttps:\/\/youtu.be\/if6f5rz_d_c\u00bb][vc_column_text]Armando Fuentes<\/a> <\/span>ha estado vinculado con el Departamento de M\u00fasica de la Universidad de los Andes desde 1989, donde ahora es profesor asociado. Su campo de especializaci\u00f3n acad\u00e9mica es la m\u00fasica antigua: del Barroco, del Renacimiento y de la Edad Media. Tambi\u00e9n es reconocido por su talento como tenor e int\u00e9rprete de la\u00fad.<\/p>\n

Su \u00faltimo proyecto de investigaci\u00f3n combina la arquitectura con la m\u00fasica. En julio de 2017 Fuentes grab\u00f3 un disco de m\u00fasica de los siglos XVI y XVII en la capilla de Santa B\u00e1rbara en Barichara, Santander. Esta experiencia, junto con el estudio arquitect\u00f3nico de la capilla sugiere que el espacio ha sido construido con caracter\u00edsticas que solo son evidentes mediante la interpretaci\u00f3n de m\u00fasica en su interior. \u201cPara conocerla, hay que hacer sonar la capilla, como si fuera un instrumento\u201d, explica Fuentes. La intenci\u00f3n, m\u00e1s all\u00e1 de la apreciaci\u00f3n de la m\u00fasica y la arquitectura es realzar el valor patrimonial de espacios como Santa B\u00e1rbara, pero no solo por su materialidad e historia, Fuentes tiene la intenci\u00f3n de \u201cmostrar las cualidades sonoras como patrimonio\u201d. Adem\u00e1s del disco, Fuentes ofreci\u00f3 un concierto para la poblaci\u00f3n de Barichara. Durante la presentaci\u00f3n, la interpretaci\u00f3n de la \u201cGallarda napolitana\u201d obra de Antonio Valente de 1576 fue la que caus\u00f3 la mayor impresi\u00f3n en el p\u00fablico. Su cercan\u00eda con el torbellino santandereano se identifica inmediatamente.<\/p>\n

Lo invitamos a ver el video para entender mejor el proyecto del profesor Armando Fuentes y la similitud de la \u201cGallarda napolitana\u201d con nuestro torbellino.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Tenor e int\u00e9rprete de la\u00fad, trabaja con el perfil sonoro de las iglesias coloniales.<\/p>\n","protected":false},"author":1,"featured_media":6775,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[431,241,61,265],"tags":[],"class_list":["post-6772","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-investigacion-y-creacion","category-musica","category-noticia","category-patrimonio","post_format-post-format-video"],"yoast_head":"\nInvestigaci\u00f3n y creaci\u00f3n en 2 minutos: Armando Fuentes - Uniandes<\/title>\n<meta name=\"description\" content=\"Armando Fuentes, profesor de M\u00fasica de Uniandes, habla de su proyecto de investigaci\u00f3n y creaci\u00f3n sobre iglesias coloniales.\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Investigaci\u00f3n y creaci\u00f3n en 2 minutos: Armando Fuentes - 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